Dr. Grant Vetter is the Program Director of Fine Art Complex 1101 and the Curatorial Coordinator for Artlink. He is also the author of The Architecture of Control (Zero Books 2012) and he reviews exhibitions for JAVA Magazine and art books for Routledge publishing. He has been featured as one of Phoenix’s top 100 creatives in the Phoenix New Times, he participated in the 2018 Arizona Biennial as a performer in a piece by Malena Barnhart and was most recently interviewed about his curatorial practice in Studio Crasher Magazine 360.
Before coming to Arizona he was the Director of Autonomie Projects in Los Angeles and a former board member of Fine Art Resources, a non-profit organization that has been producing critical programming in the arts since 1977. He has served as a teacher at the School for Science and Architecture (Sci-Arch), the Art Center College of Design, and the University of California, Irvine (UCI). Dr. Vetter has given talks about art at the Torrance Art Museum, California State University Long Beach, the Munroe Center for Social Inquiry at Pitzer and many other venues. In addition to these honors he has also had papers published in The Journal of Labor and Society and Review 31, as well as contributing essays to various catalogs and monographs.
He holds advanced degrees from the European Graduate School (EGS), University of California, Irvine (UCI), and the Critical Theory Institute (CTI) where he had the opportunity to study with such notable theorists as Slavoj Zižek, Alain Badiou, Jacques Rancière, Michael Hardt, Gorgio Agamben, Judith Butler, Avital Ronell, Brian Massumi, Manuel DeLanda, and Simon Critchley. He did his undergraduate work at the Art Center College of Design, Associates in Art and the California Art Institute. During his undergraduate and graduate studies he was the recipient of the Bradford Hall Arts Scholarship, the San Marino League Arts Scholarship, the Pasadena Art Alliance Arts Scholarship, the Art Center College of Design Scholarship and a UCI Teaching Fellowship.
In addition to curating, teaching, writing, and editing books, Dr. Vetter has exhibited extensively throughout the U.S. and abroad. He was a former member of the art collective Durden and Ray as well as the winner of the Orange County Grant for Painting, Drawing and Printmaking in 2007 and 2009, a winner of the international contest M.F.A. NOW and a runner up for the William and Dorathy Yeck award for Painting in 2012. His work has been included in exhibitions by curators like Lucy Lippard and Edward Lucie-Smith and has also appeared in Art Forum, the L.A. Weekly, the OC Weekly and many other trade magazines. Today he lives in Tempe where he helps to encourage and support the arts.
The Wrong Biennial (2019) | Psychogeografik (2018-19) | A Matter of Public Record: Art in the Age of Mass Surveillance I & II (2018-2019) | The Fate of Landscape Painting (2017) | Abstraction in the Singular (2017) | NASTY, NOISY, NAKED, KNITTING WOMEN (A Nationwide Initiative, 2017) | East of Eden: Karen Finley and Bruce Yonemoto (2016) | Parables of the Virtual (2016) | Geometry in the Expanded Field (2016) | Landscape at Escape Velocity (2016) | In Advance of Identity (2015) | Les Enfant Terribles (2014) | The Status of Portraiture (2014) | The De-socialized Landscape (2013) | Painting on Edge I & II (2012-14) | Speculative Materialism: Abstract Art and it's Conditions I & II (2012-13) | Pacific Non-Standard Time: Part One, FAR (Foundation for Art Resources) 1977-Present (2012) | Action (Un)Packed: Abstraction After Action (2011) | Acute: Small Works by 21 Los angeles Artists (2009)